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Nel mio lavoro irrompono figure femminili fluttuanti oppure figure autoreferenti, loti bianchi e rose rosse, quasi sempre su un paesaggio contemporaneo-storico o storicizzato, a volte su un panorama a me familiare.
Si tratta di epifanie in cui le figure, che costituiscono parte impregnata e pregnante dell’ambiente, si mescolano a significative ed intime citazioni floreali ma anche architettoniche, inserite in finestre virtuali -intarsi spazio/temporali- o addirittura occupanti uno spazio che “fuoriesce” dalla singola tela. Questi dittici o polittici diventano ambienti essi stessi. La mia pittura è intesa come spazio architettonico al quale lo spettatore può partecipare con lo sguardo ma anche fisicamente..
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Epiphanies where figures - impregnating and impregnated by the environment - are mixed with significant and profound floral and architectural citations, inserted into virtual windows - space/time marquetries - or space filling windows almost debording from the paintings: diptychs or poliptychs becoming themselves environmenst.
My painting is intended as an architectural space that spectators may share with their gaze and body, becoming a significant part of the painting itself (non duality work of art/spectator). But my work is also centred around the time (there isnt space without time), the time intended as cultural and historical stratification but also vision (as it happens in video art).
Finally, Im looking for a temporal dimension intended as eternal present, that is absolute time and space in the present moment.
...Its poetics is constructed and amplified by the double dialectics: the painting into the painting, as well as the variable diptych and triptych and the duplicity of significations, the latter becoming themselves impalpable environments"... (Vitaldo Conte)
Sometimes the two flowers flow one into the other, in a mystic transit where the artist combines his artistic path with his existential
vision."
(D. Amoroso)
(D. Amoroso)
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